To create sassy, dimensional hair, make some sections larger and interplay with weaves and slices. Jing received caramel highlights, glazed on prelightened hair to gold. Lowlights: Wella Color Touch 55/54 + Emulsion 1
#9NB SHADES EQ PROFESSIONAL#
1 1/2-oz 7G Clairol Professional Crème.4/77 and 5/3 with Color Touch Emulsion 1.9%.Zigzag lowlights were applied for dimension: To ensure even coverage, apply vertically, check horizontally. To glaze, the team used 2-oz 07G Redken Shades EQ and 1-oz Shades EQ 9NB mixed with processing lotion and processed under heat for 10 minutes.īeth's "real salon" client Ronni is a natural Level-3 and has 50-percent gray at the nape. Team Minardi created "coffee with milk" highlights with Miss Clairol Creme 9 double ash (AA). L'Oreal Platinium Lightener was mixed with 40 volume developer.įoils are vertical slices and alternate back to back. Later, hair was toned with Wella Color Touch: 1-1/2 ounces of 9/03 and 1/2 ounce of 8/0 mixed with Color Touch Emulsion 1.9%. Team Minardi converted Danusia to a pastel double process blonde. Her hair was pre-lightened with Clairol's Born Blonde Creme Hair Lightener and two lightener activators. During lightening, the hair shaft was protected and conditioned with Minardi Pre-Wash Therapy.
Team Minardi mixed two separate formulas and alternated foils: 9.43 mixed with 30-volume developer and 8.34 mixed with 20-volume developer.ĭanusia's hair was natural Level 7 (medium blonde). In the past, her hair had been colored with a highlift blonde shade of permanent hair color. Then, dry the hair. Kate's hair was highlighted with Keune Tinta Permanent Hair Color. Process Luminize for 15 minutes at room temperature. Her hair was sectioned in pie-shaped sections and wrapped with back-to-back professional hair color formulas: Jen's peek-a-boo highlights are off the hairline and off part, mimicking bold hair extension pieces. Hair was processed with heat for 20 minutes before being rinsed, shampooed and conditioned. Beth used Redken Shades EQ 05G mixed with Shades EQ Color Processing Solution. Beth's color formula is:Īfter restoring the missing red to the blonde hair, a brown glazing color was applied.
You don't need to use ammonia on hair that's already "broken." Orange-y-tan will hold brown. For blondes, the more porous and drier the hair, the drabbier the color will grab. She will keep some blonde near the part and around her face. For a client going blonde to brown, turn her red first since red is a color building block.
Here are the formulas of the professional hair color transformations.īeth opts for a tint back with Redken Shades EQ for sheer translucent color-do not use permanent dye. Shades EQ is more acidic, thus the translucent color.
Attendees witnessed professional hair color transformations from Beth Minardi, Team Minardi-Tohmas Elmlund, Shannon Briggs Hack, Tammy Laimos, Rebecca Maristany, Mark Mileti, Paula Murry and Raymond Serio-Nancy Braun from Beverly Hills and bi-coastal Myrian Touma. Stephens Conference Center in Rosemont, Illinois. Color America with Beth Minardi took place October 20-22 at the Donald E.
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